| December 2002 | ||||
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breakthroughonskis.com
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| skitechnique | ||||
| Skating the ultimate exercise for expert skiing? part one |
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| From the beginning, it seems, exercises and drills have been a part of ski instruction, sometimes a big part. Trouble is, exercises just aren’t fun. But what if there were an exercise, an incredibly powerful exercise, guaranteed to improve your skiing at least 100%? And what if it wasn’t boring, wasn’t a drag, actually felt great?? Something that you could do every ski day, on many different parts of your favorite ski mountain, something you’d enjoy doing, something that felt more like real skiing than practice, something that would polish your turns more than anything else you could do on skis.?? There is. It’s called skating.
You probably know what skating on skis looks like. Youve seen it. Maybe youve done it. Chances are if youre like most of my students you can sort of make skating movements on your skis but you dont do it well, efficiently, gracefully. And chances are, too, you are wondering just what skating on skis has to do with a modern carved turn, especially on modern shaped skis. First things first. Id like to begin by showing you how to skate better. Then it will be easier to explain how skating will make your turns better, much better. Secrets of Skating Skating seems easy enough at first glance. You stride diagonally out, first on one ski, then on the other, pushing off in an alternating V-shaped pattern from ski to ski. Fair enough. But to do it right, try focusing on two points. First, as you step out diagonally on one ski, project your body out over that ski too, and balance there, while that ski glides forward. A real commitment to your gliding ski. And then to the other one. But thats only the beginning. As you step strongly out on one ski, transferring your weight over it, what happens to your other ski, foot and leg? Thats point two. Dont just leave the other foot behind. Instead, while you are gliding forward on one ski, pull your light foot and ski in close to your weighted, gliding ski. Thats right, pull your light boot right in next to the foot youre are standing on, gliding on, but dont put that light foot back down on the snow. Now you are ready to push off once more, diagonally, onto that light foot, for your next skating step. Your light foot now begins its new skating step from this relatively foot-together position, and as a result, it can really move out in a long, powerful skating stride. To summarize, the two key parts of efficient skating on skis are: first, a complete weight transfer to the new ski, and second, taking care of the light foot, the one youve shoved off from, pulling it in next to the skating foot. Skating on skis feels awkward at first every new move on skis feels awkward at first. But every ski mountain has its share of boring flats, or low-angle catwalks, where skating will help you maintain your speed and avoid poling. With surprisingly little practice, youll soon be skating gracefully and powerfully across these flats. And it will change the way your ski. Now for the fun part. Why is skating so important? What movement patterns are you really practicing when you skate? Skating is the perfect way to reinforce the habit of early weight shift, and to develop the critical inside-leg action so vital to todays carved turns. To make this crystal clear, lets look at todays carved turn. The Modern Turn Todays carved turn is an exercise in simplicity and restraint a case of maximum result from minimum skier movementand it works like this. With no unweighting, with no twisting or steering action of your feet, you simply shift your weight to your top ski the soon-to-be outside ski of the coming turn. And then, having shifted onto this new ski, your body moves laterally across the skis, toward the center of the coming turn. As it does so, that weighted ski rolls off its old (outside) edge, onto its new (inside) edge, and begins to bend to create the arc of this new turn. What Im describing is a slow, patient, progressive start to the turn. Your crucial outside ski slices forward into the turn, instead of pivoting rapidly down the hill. In fact, the slower and more progressive the start of this arc, the more carved its likely to be. Several important factors make this a great turn. Instead of unweighting our skis to turn them, we are pre-weighting the new outside ski, by standing on it 100%. This makes it that much harder to twist, or jerk, or pivot that ski into a skid. And note the timing: an early weight shift comes first, then the crossover or commitment of the body, which in turn results in the weighted outside ski rolling over progressively to its new edge. And finally, lets ask what the other, light foot is doing all this time? Its simple. With the light (inside) foot, the skier is taking care of the light ski, that is to say, keeping the light foot comfortably close to the weighted foot, pulling the light heel inward while tipping that foot over toward its little-toe side. In essence, performing a shadow or light edging movement with that light inside skitilting it into the turn, without ever putting any weight on it. This gentle tipping of the light ski in a modern turn is what my friend, coach Harald Harb, calls the phantom move. Its so subtle its almost invisible. But Harolds insight into this inside foot and leg action is fascinating. He has pointed out that the more you edge your light foot and ski (never really weighting it) the stronger the edging of outside, carving ski will be. This is a fabulously easy way to control the amount of edge you use in a carved turn. Harolds phantom move, the complementary action of the the light inside foot and leg is what I call taking care of the light ski. And that brings us back to skating....or at least it will, in the next issue of BreakthroughOnSkis.com. and part 2 of this article, where I will describe in more detail, just how skating develops and reinforces the turning patterns I have just described above. Stay tuned....for part 2.
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| December 2002 | ||||
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| s | All contents of this web site © Lito Tejada-Flores unless otherwise credited. |
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